HAUTE CHOCOLATE
For most people, drinking hot chocolate is the
liquid equivalent of eating a Hershey bar. It is
pleasant and perhaps evocative of winter nostalgia for
taking the chill off after a day spent building
snowmen or tobogganing. However, hot chocolate
or hot cocoa has lagged behind our chocolate
confection consciousness, which has been raised
to higher and higher levels of sophistication.
Until now. With the same kind of fervor that
went into a making great chocolate candy, chefs, chocolatiers and pastry chefs have turned hot
chocolate into haute chocolate.
The hot chocolate served in the swank Swann
Lounge at the Four Seasons Hotel in Philadelphia
isn’t made from a package by the wait staff.
It’s made by executive pastry chef Eddie Hales.
Hales first creates his own chocolate syrup out
of a variety of quality semisweet and
unsweetened chocolate bars. “I’m always
experimenting,” Hales says. At tea time, the
syrup is served in a tea pot with another pot of
steamed milk. Customers mix the syrup and milk
themselves in china cups to suit their own
tastes. My luxurious hot chocolate was
accompanied by a plate of madeleines and long,
delicate cookie sticks called dents de loup for
dunking. Swiss Miss was never like this.
At the Cub Room in New York, executive chef Ben
Grossman makes his hot chocolate with Valrhona
cocoa powder and bittersweet pieces, and
Nestlé’s semisweet chips, then tops it with a
homemade marshmallow. My cup looked like it
leaped out of a Norman Rockwell painting but
tasted as if it were served in a Paris salon,
rich and immensely satisfying. And it was just
as good when I made it at home. (See recipe
below.)
In some restaurants, such as Lucy, a Mexican
restaurant in New York, creating hot chocolate
also makes for good theater. Heated milk is
mixed tableside with two Mexican chocolates—Mayordomo,
laced with spices (especially cinnamon) and
crushed almonds, and the sweeter, less complex
Ibarra—in a traditional Mexican ceramic pot with
a molinillo, a wooden tool about 18 inches long
with a carved, bulbous end. A waiter rubs the
molinillo back and forth in his palms like a Boy
Scout creating a fire until a foaming drink is
produced. The resulting hot chocolate is frothy
and light, with an earthy quality that reminded
me of cajeta, the Mexican caramelized goat milk.
Cuban pastry chef Alex Asteinza, says he learned
how to make hot chocolate from his Mexican
staff. “Most of them have had it done at their
weddings. It’s a huge thing for them,” he says.
Indeed, chocolate as a ceremonial beverage goes
back some 3,500 years in Mesoamerica. It was
made by brides of Aztec and Mayan nobility,
among others, as part of the marriage ritual
since at least the 11th century. These drinks
bore little resemblance to modern hot chocolate.
They were frothy, frequently bitter beverages
that were as often cold as hot, usually
thickened with cornmeal, and seasoned with,
among other things, chilies and cloves. “Froth
was important,” says Elin Danien, a research
associate at the University of Pennsylvania
Museum of Archeology and Anthropology. “If you
couldn’t make a frothy drink, you weren’t
marriage material.
The Spanish, who added sugar to drinking
chocolate, introduced the beverage to Europe,
where it remained the province of the wealthy
and powerful until import duties were removed in
the 19th century. Aided by lower prices and
chocolate’s health claims, not to mention its
purported aphrodisiacal properties, consumption
soared.
The beneficial qualities of hot chocolate have
been confirmed by modern science, most recently
in the December 3, 2003 issue of the Journal of
Agricultural and Food Chemistry. Researchers at
Cornell University demonstrated that hot
chocolate contained more antioxidants—chemicals
that have been shown to fight cancer, heart
disease and aging—per cup than a similar serving
of red wine or tea.
Nearly all hot chocolate is made from cocoa
powder, a byproduct of chocolate making. When
most of the cocoa butter has been removed from
the chocolate liquor (the ground cocoa beans,
also called cocoa mass) under hydraulic
pressure, a cake is formed. This cake is then
ground and becomes cocoa powder, which now has
significantly less butterfat. Dutched chocolate
has been treated with an alkalizing agent to
modify flavor (rarely for the better) and to
make the powder more easily absorbed in liquid.
Dutching may also alter color.
Producers of high quality cocoa have returned
the fat to it, giving more flavor and greater
mouthfeel. Demand is increasing, too, or at
least becoming more discriminating. Three years
ago, Seattle-based ChefShop.com carried only one
hot chocolate mix. Now it carries eight,
including mixes from France, Italy and Spain.
“We tried to make a distinction by calling it
‘drinking chocolate’ instead of hot cocoa,” says
company vice president Michael Janiszewski,
whose hot chocolate epiphany occurred 11 years
ago at the Café Rivoire in Florence, Italy. As
he explains, “They serve drinking chocolate that
literally looks like a melted candy bar. The
Italians and Spanish are really into good
drinking chocolate.”
I tried 11 different hot chocolate mixes at
home. My favorite was a superb Spanish chocolate
by Enric Rovira, despite the fact that the cocoa
came in pellets that looked like cat food. It
was so luscious and thick I wound up eating it
with a spoon. My other favorites were La Maison
du Chocolat, the most expensive mix (actually a
tube of chocolate pearls) at $16 for 7.41
ounces—it had a silky texture and an intense
flavor, like melted bittersweet chocolate. This
French hot chocolate mix might be too
unsweetened for many tastes, though that was
easily solved by adding sweetener. I did the
same with Bonnat, another French mix with a
concentrated dark chocolate flavor. Scharffen
Berger, a Berkeley, Calif.-based chocolate
maker, struck the perfect balance: a deep
chocolate flavor with just enough sugar to make
a delicious drink without masking the
chocolate’s flavor.
The next five were perfectly acceptable though
unremarkable, like a good milk chocolate candy
bar. They included U.S.-made mixes from Fran’s,
Dagoba, and Kings Cupboard; Swiss-made Essential
Pantry (Chefshop’s house brand); and the French
L’Ancienne. The only one I found unacceptable
was Slitti, a Tuscan mix that was bland and had
a chalky mouthfeel. Just for the fun of it, I’d
give the Williams-Sonoma peppermint hot
chocolate mix a try. Made with Guittard
chocolate, it had a bracing minty taste that
didn’t overpower the chocolate.
Better than all these mixes though, was Ben
Grossman’s recipe. For one large mug (or two
coffee cups), steam (see below) together 1
teaspoon cornstarch, 2 teaspoons Valrhona cocoa
powder, 3 teaspoons Nestlé’s semisweet chips, 1
ounce Valrhona dark (70 percent or more cacao)
chocolate cut into pieces, 1 heaping teaspoon
nonfat dry milk, 3 heaping teaspoons powdered
sugar and 8 ounces cold milk until the
temperature reaches 180 to 190 degrees, mixing
once or twice along the way.
If you want add seasonings, try cinnamon,
cardamom, nutmeg, even chilies. Put them in a
tea ball or cheesecloth so you can fish them out
easily. For something stronger, try dark rum,
Cognac, or orange liqueur.
Most hot chocolate mixes require you to heat
milk on the stove before adding the chocolate.
But because milk scorches easily on the stove,
get it heated most of the way in the microwave.
Mixing the chocolate and milk with a wire whisk
doesn’t give you the foam you want. An immersion
blender is better, but messy. Best of all is the
steamer of a cappuccino machine. You’ll get a
rich, frothy, and delicious hot chocolate an
Aztec bride would kill for.
How to Get It
ChefShop.Com, Inc., Seattle, WA 877-337-2491,
www.chefshop.com.
Chocosphere, Portland, OR, 877-992-4626,
www.chocosphere.com
La Maison du Chocolat, New York, NY,
800-988-5632, www.lamaisonduchocolat.com
Scharffen Berger, Berkeley, CA, 800 930-4528.
www.scharffenberger.com
Zingerman’s Delicatessen, Ann Arbor, MI (888)
636-8162, www.zingermans.com
This article first appeared In
Wine Spectator magazine.